Virgin (ਕੁਮਾਰੀ)
I stepped into your bed
Not whole, but split:
Half all married, half all virginal.
For the sake of your appetite
I had to kill the virgin.
I did indeed kill—
these murders that are legally valid,
only their humiliation illegal—
I had swallowed the poison of that indignity.
Then in the morning
I saw my hands drenched in blood
and washed them,
Just as I washed the other foul limbs.
But as soon as I faced the mirror,
There she stood before me—
She, whom I’d slain myself last night.
O God!
Had the bed’s darkness been this dense?
Whom was I supposed to kill
And whom did I end up killing…
Creative Labor (ਤਖ਼ਲੀਕੀ ਅਮਲ)
Sometimes a poem glances at a page and averts her gaze
as if from a strange man
But at times, like a maiden fasting for a husband
she is visited by something like a dream
And suddenly the touch of a male limb
sets her body aquiver within the dream
Sometimes, on tasting fire
she is startled awake—
Fondling her ripe limbs
she unbuttons her blouse
splashes moonlight over herself
and the hand wringing her body dry, whimpers
Her body’s darkness unfurls like a mat
She lies on it face down
plucks at its straws
and smoulders all over
Stricken by the urge to have her body’s darkness
shatter between strong arms
Suddenly a page steps forward
and brushes her trembling hands—
Something in her burns
Something else melts
A strange scent reaches her
And her hand stares at the lines inscribed on her body
With sluggish hands, writhing body
and brow lined with sweat
A long line splits
and breath—
is drenched in the dual scent of birth and death
These thin black lines
are as if fragments of one long cry …
Silent, amazed, and wrung
she stands, sees, thinks:
That some injustice has come to pass
Something in her has died—
Perhaps the deliverance of a maiden womb
Amrita Pritam (1919-2005), born in undivided Punjab, was a poet, writer, editor, and translator. Notable publications include the novel Pinjar (1950), the poetry collection Kagaz Te Canvas (1970) and the memoir, Raseedi Ticket (1976). Among her several literary distinctions are the Jnanpith Award, Sahitya Akademi Fellowship for Lifetime Achievement, and the Ordre des Arts et des Lettres.
Rituparna Sengupta is a literary translator, writer, critic, and teacher. She has translated poetry and short fiction by Amrita Pritam, Baabusha Kohli, Sumana Roy, Adnan Kafeel ‘Darwesh,’ Gauhar Raza, Mirza Azim Beg Chugtai, and Rashid Jahan, between Punjabi, Urdu, Hindi, and English. Currently, she teaches at OP Jindal Global University.
Translator’s Note: These poems first appeared in the collection Kagaz Te Canvas (1970) and were later reprinted in the volume Amrita Pritam: Chuni Hui Kavitayein (1982). I am grateful to Girija Suri for her help in accessing some nuances of the Punjabi text.
Copyright notice requested to be printed by the copyright-holder: Original Poem Copyright © Aman Kwatra (1970). Translation Copyright © Rituparna Sengupta (2026)