Language: Ukrainian
Poet: Yevhen Pluzhnyk
Translators: Ostap Kin, Ainsley Morse, and Daniel Moysaenko
Region: Ukraine

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A Ukrainian Century: Part Two of Eight

Two poems by Yevhen Pluzhnyk, translated by Ostap Kin, Ainsley Morse, and Daniel Moysaenko

Circumference is publishing a bimonthly series of posts featuring poems from the anthology A Ukrainian Century: Poems 1900-1999 (forthcoming in Fall 2027 from World Poetry Books), edited by Ostap Kin and Ainsley Morse and featuring the work of thirty-four translators.

The anthology offers short selections of poems by fifty poets spanning the heady, peripatetic, and often catastrophic twentieth century. Aware that no anthology can adequately represent the entirety of poetry written in Ukrainian over a one-hundred year period, the editors have made a selection that is simultaneously idiosyncratic and representative–one that allows readers to extrapolate a broader picture from the fascinatingly particular.

Section 2 of the anthology highlights the explosive 1920s, a time of intense creative activity connected with the political stabilization of Soviet Ukraine and the policy of “Ukrainianization,” which entailed unprecedented support for the Ukrainian language (in contrast to the aggressive Russification of previous and future periods). Wildly productive debates raged over the forms and functions of literary Ukrainian, with strong arguments from the avant-gardistes, Neo-Classicists, proletarian and agricultural camps, and many others. (Interested readers should check out the two-volume anthology Ukrainian Literary Modernism of the 1910s–mid-1930s, which focuses entirely on this thrilling period.)

In historical hindsight, the 1920s in Soviet Ukraine also stand out as a window of relative creative freedom, bracketed by the violence and chaos of the preceding decade (which saw the First World War, the Bolshevik revolution in Russia, and the multitude of warring parties between 1918-1922) and the more pointed political violence of the 1930s, which in Ukraine began with collectivization and mass famine, and continued into the dark years of Stalinist purges. The poems of Yevhen Pluzhnyk (1898-1936), while known for their lyrical lightness, also deal candidly with the filth, spectacle, and senselessness of wartime violence, which Pluzhnyk experienced firsthand. Pluzhnyk is also one of many brilliant Ukrainian poets of the period whose life and career ended prematurely amid the Terror of the 1930s.

AM & OK

Sleep and I just missed each other.
Days of whores, jodhpurs and heroes…
      To make the lawn here in the square
      who fertilized the soil?

Guess I was dreaming—“the time will come…”
Green grass, grow on!
So it goes! His army coat sits fine
On other shoulders too.

Just make sure to fix that button,
And go on dreaming days away…
      “You!
      Future people!”

 

[no later than 1926]
tr. Ainsley Morse & Ostap Kin

Apparently he was in a lot of pain:
He kept licking his lips. Then he got quiet.
This small body on the corner
Will not be asked anymore—what side!

It’s very simple. A sharp little bullet
Overtook the horizon for him.
—For days he wore his heart out raw—
      Now rest!

Look, those who hungered to look
Past the boundaries of these days—
   A body on the pavement, unneeded,
   A body below the party’s placard.

 

[no later than 1926]
tr. Daniel Moysaenko

Розминувся зі мною сон.
Дні повій, галіфе й героїв…
   Хто у сквері під цей газон
   гpунт угноїв?

Певне, мріяв, — ось прийде час…
Рости, травко зелена!
Що ж! Шинелька його як раз
І на інші рамена.

Тільки ґудзик приший новий, —
Та і мрій собі серед буднів…
      Ви!
      Майбутні!

 

[не пізніше 1926 р.]

Мабуть, дуже йому боліло…
Все облизував губи. Потім затих.
Невеличке на розі тіло
Не спитають більш, — за яких!

Дуже просто. Гостренька куля
Заступила йому далечінь.
— Серце днями собі намуляв, —
    Спочинь!

Подивіться, кому кортіло
Подивитись за межі дат, —
   Непотрібне на бруці тіло,
   А над тілом — плакат.

 

[не пізніше 1926 р.]

Yevhen Pluzhnyk (1898–1936) was a poet, prose writer, playwright, and translator. He was associated with the Kyiv literary groups Lanka and later MARS. His lifetime collections were Dni (Days, 1926) and Rannia osin (Early Autumn, 1927); Rivnovaha (Equilibrium) appeared posthumously in 1948. He also wrote a single novel, Neduha (Illness, 1928). In 1930–1931, he co-edited a three-volume anthology of Ukrainian poetry. Arrested in 1934 and sentenced to death, later commuted to imprisonment, Pluzhnyk died of tuberculosis in the Solovetsky Islands prison camp in 1936.

Ostap Kin is an author and literary scholar. He is the editor of Babyn Yar: Ukrainian Poets Respond and New York Elegies: Ukrainian Poems on the City, which received the Best Translated Book Prize from American Association for Ukrainian Studies. With John Hennessy, he has translated Yuri Andrukhovych’s Set Change (received the National Endowment for the Arts fellowship), Serhiy Zhadan’s A New Orthography (received the Derek Walcott Prize) and the anthology Babyn Yar: Ukrainian Poets Respond (received the Best Scholarly Translation Prize from AATSEEL). Kin’s work appeared in the NYRB, the TLS, the Los Angeles Review of Books, World Literature Today, and elsewhere.

Ainsley Morse teaches in the Literature department at UC-San Diego and translates from Russian, Ukrainian and Bosnian/Croatian/Serbian. Recent publications include Konstantin Vaginov’s early Soviet novels collected in Goat Song and Bambociatta-Harpogoniana (NYRB 2025 / 2027, with Geoff Cebula), Odesan poet Maria Galina’s Communiqués (Cicada 2024, with Anna Halberstadt), Yugoslav Croatian artist Vlado Martek’s conceptualist pre-poems (WPB 2026) and Yan Satunovsky’s Prosthesis Factory (WPB 2027, with Phil Redko).

Daniel Moysaenko is the author of Overtakelessness (Graywolf Press, 2026), winner of the 2025 Academy of American Poets First Book Award. His poems, translations, and critical writing have appeared in journals such as Asymptote, Chicago Review, Harvard Review, The Iowa Review, The Nation, Poetry, and The Poetry Review. Raised in the Ukrainian diaspora, he lives in Ohio’s Chagrin Valley.